Showing posts with label indie. Show all posts
Showing posts with label indie. Show all posts
8 September 2014
8 August 2014
2 August 2014
7 July 2014
21 June 2014
24 April 2014
Sundance London 2014 Review - They Came Together (2014)
Genre:
Comedy, Indie
Rating: 15
Location:
Cineworld,O2 Arena, London
Release Date:
26th April, 27th April 2014
Director:
David Wain
Cast:
Paul Rudd, Cobie Smulders, Michael Shannon, Amy Poehler
Buy Tickets: Here
We’re all familiar with the rules of a rom-com by now. Boy meets girl, boy and girl hate each other, boy and girl fall in love, boy and girl fall out, boy and girl get back together and live happily ever after. In fact we’re so familiar with the pattern that we could probably make one ourselves. Well there’s no need to anymore as David Wain has already done it for us in the sniggeringly titled They Came Together.
This skewed version of the genre takes all the conventions of an average rom-com and knowingly lampoons them to send up the formulaic nature with which they unfold. Paul Rudd stars as the “vaguely, but not overtly, Jewish” guy to Amy Poehler’s “klutzy but adorable” gal as the pair describe the story of their relationship to their friends over dinner.
It’s a story complete with all the well-worn traits which leads to a gag heavy 90 minutes, some landing slightly heavier than others. Crammed in are sight gags, slapstick gags, innuendo and nods to countless Meg Ryan, Jennifer Anniston and Katherine Heigl movies not to mention a pre-McConnassaince Matthew McConaughey.
The targets are certainly large and, for the most part, successfully hit but with the volume of jokes coming this thick and fast you’d be forgiven for hoping for a better strike rate. There is too a sense that this could easily have started as an idea for extended Saturday Night Live sketch and merely padded out to stretch to the length of a film to ape the genre that further bit.
Spoof movies range wildly in terms of success, by sending up entire genres they can sometimes have a rather scattergun approach; for every Airplane there’s a Scary Movie 4. Thankfully They Came Together is closer to the former than the latter, helped in no small part by the sheer likeability of the two leads Rudd and Poehler – cast perfectly and just as easy to root for as the characters they mimic.
Matthew Walsh
16 April 2014
28 March 2014
24 March 2014
20 March 2014
10 March 2014
9 March 2014
DVD Review - Short Term 12
Genre:
Drama
Distributor:
Verve Pictures
Rating:15
DVD/BD Release Date:
10th March 2014 (UK)
Director:
Destin Cretton
Cast:
Brie Larson, Frantz Turner, John Gallagher Jr.
Buy:Short Term 12 [DVD]
/ Short Term 12 [Blu-ray]
Win Short Term 12 on Blu-ray: enter here
Short Term 12, for the most part, is an emotionally devastating drama that sensitively observes the lives of the residents and staff at a foster-care facility for at-risk kids. With an unsentimental eye, the director, Destin Cretton, creates scene after scene of believable situations that leave an indelible mark. Take, for example, the scene in which Jayden, the newest kid at the facility, throws the most harrowing of tantrums after her father doesn’t show up to take her home for the weekend, or the sequence in which she reads a fable she wrote about an octopus and a shark to her care worker Grace, revealing her abusive upbringing through an heartbreaking allegory.
The trouble is that as memorable as scenes like the ones I’ve described are, Cretton’s film is too often formulaic and predictable to be fully convincing. The rightfully lauded scenes of unsentimental observation are therefore occasionally undermined by the conventionality of the narrative, allowing for some sentimentality to creep in and overwhelm parts of the story. This is most apparent in the paralleling of Jayden’s traumatic story with the childhood of Grace, the films main protagonist. By creating similarities between the two characters’ upbringings, Jayden’s story becomes marginalised and is seen more as a contrivance to further Grace’s story arc.
The film is bookended by scenes in which Grace and her co-workers are sitting outside their titular workplace sharing informative anecdotes that neatly wrap up the story. This, coupled with the recurring motif of Grace arriving at work each morning driving her bicycle into the same static shot of the foster-care facility, leaves us with the notion that the cycle of care they provide is continuous and that for institutes like Short Term 12 there will always be at-risk kids in need of guidance. This is a rather poignant and fitting note for the film to end on. Though the film often frustrates, it is hard not to be moved by its story.
Shane James
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