1 November 2012

Horror Channel's Horror Club to screen SHIVER

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Following the inaugural sell-out showing of INBRED, Horror Club, created by Horror Channel, will host its second event at The Horse Hospital on Tuesday Dec 4 from 7pm with an exclusive preview screening of Julian Richard’s spine-chilling SHIVER.

This special event, open to all horror fans, will be introduced by Horror Channel's Emily Booth and genre expert/writer Billy Chainsaw. Chainsaw will interview Richards after the screening. Richards, an award-winning writer and director, is best known for his ground-breaking serial killer shockumentary THE LAST HORROR MOVIE and the haunting SUMMER SCARS, which won two British Academy Awards.

Julian said today: It's terrific news that Horror Club will be presenting SHIVER in December. I can't wait for the opportunity to watch the film in the company of hard core horror fans"

Entry is free and seats can be won by entering a competition exclusively through Horror Channel, enter comp here.
SHIVER stars John Jarratt (WOLF CREEK) as Franklin Rood, a weird loner laughed at by women. He handles his anger at rejection by creating a police taunting alter ego, The Griffin, and embarks on a spree of horrific murders, seemingly at random, all young women.  However, one manages to escape, for which she earns his respect – and his love. Danielle Harris turns in a powerful performance as Wendy, the girl who has to toughen up quick if she wants to stay alive.  Also stars Casper Van Dien and Rae Dawn Chong.

TV: Sky 319 / Virgin 149 / Freesat 138

29 October 2012

The Hunter Blu-Ray Review

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When it comes to films starring Willem Dafoe his performances are nothing more but mesmeric, outstanding even when the film he stars in is truly awful. The actor is one of films great gems who delivers wonderful performances that are deserving of awards but the true professional he is he doesn't complain just gets on with the job. Past 20 years or so Willem Dafoe has been making big noises in arthouse / world cinema and his latest film The Hunter the actor excels once again as a hired hand to find one of the world's rarest commodities whilst battling his own morality.

The Hunter is based on a novel by Julia Leigh that tells the story of Martin(Willem Dafoe) a mercenary sent from Europe to Australia by mysterious Biotech company.Martin heads to Tasmanian wilderness to embark on a dramatic hunt for the so called last Tasmanian Tiger despite the creature been reported extinct since 1982. As he searches the elusive creature he discovers the mysteries hidden within the wild landscape, triggering long forgotten emotions, but can a human who has led an immoral life find connection and redemption too?

What really grabs your attention in The Hunter is the central performance of Willem Dafoe. As I mentioned earlier in the review the actor rarely disappoints, he also rarely gets a chance to a lead a film and when he gets he grabs the bull by the horns delivering something truly fantastic. Martin is a charismatic emotionless man but when he's on his own especially in the wilderness he's in his element becoming part of the land, a predator, animalistic with frightening tenacity. When there's no dialogue you really do get drawn into something rather haunting,atmospheric gving you a chance to appreciate the surroundings he's in as well as his predatory skills.

We have to also give a mention to Morgana Davies and Finn Woodlock who play the children at the farm Martin stays at, they deliver a performance so naturalistic as they are given a chance to be..children. They bring out the parental side of Martin as they adopt him as a father figure with their own father lost in the wilderness, this makes Martin feel awkward. Even the children's mother Lucy (Frances O'Connor) whose in a depressive state drugged up, constantly sleeping greets Martin's presence within her home she embraces him when he sorts out the power and when he becomes more comfortable it then his morality is questioned even his loneliness.

It's Films like The Hunter that make you think twice at how small the world is becoming at a frightening pace. This is a film that doesn't just question the morality but environmental issues but the allegorical message of the film is terrifying and throughout the film thanks to the smartly written script reminders of the world changing drastically are scattered throughout the film: the desrruction of the Tasmanian rain forest (like many other forests globally), job losses that impact local towns as they loose jobs, conservation groups been harassed by multi-national companies but most of all hunting a extinct creatures. The latter sort of ask you why do you hunt these 'mythical' creatures and why should we only read about these creatures in books and for the sake of the creature and it's environment maybe they should stay 'extinct'?

The Hunter is an beautifully shot film thanks to Robert Humphrey's breath taking cinematography that captivates the desolation and beauty of the wild terrain of Tasmania. The world is getting smaller and these hidden tranquil treasures are becoming as elusive tiger asking you what can you do to make sure these lands don't disappear?

The Hunter wont be a film which will appeal to everyone as it's a slow burning psychological thriller will keep you engaged until the end.It's atmospheric, beautifully shot and masterfully performed by an underrated esteemed actor in the industry today.

Paul Devine 

★★★★

Rating:15
DVD/BD Rating: 29th October 2012 (UK)
Directed By: Daniel Nettheim
Cast:Willem Dafoe, Sam Neill , Morgana Davies, Frances O'Connor
Buy The Hunter:Blu-ray / DVD
Win The Hunter on DVD here



King Of Devil's Island DVD Review

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King of Devil's Island (2010), though not an easy film to watch, is a drama which demands to be seen. Starring Stellan Skarsgård, Kristoffer Joner and Benjamin Helstad and directed by Marius Holst, this is a harrowing lesson in the harsh reality of human nature and man's inner strength in the face of adversity.

Based on true events, the story is set in the infamous correctional facility of Bastøy on a remote and inhospitable island in the Norwegian fjords, during the early part of the 20th century. When a new and headstrong boy called Erling (Helstad) arrives it soon becomes clear to everyone, especially Bastøy's governor Håkon (Skarsgård), that this troubled young man is not ready to conform to the strict regime on the island. Before long Erling's rebellious nature comes to the fore with life changing results for them all.

King of Devil's Island is a devastating film. Shot on location in Estonia and Norway, the mesmeric natural beauty of its setting and the minimal style and colour palette in which it is shot is breathtaking. Both the snow and ice covered countryside outside backing onto a seemingly endless sea which stretches beyond the island's rough beach, and the facility's interior monotone colour scheme of grey and white, create perfect neutral surroundings against which the action plays out.

This harsh air continues with the film's overriding realism - both in the conditions in which the boys live and in the brutality of the men who run the concentration camp facility - and at points threatens to engulf the viewer with its seeping sense of despair and hopelessness. From this angle the film works marvellously, leaving you with a real feeling of what these young men (one of whose only crime had been to steal a few pence from a church offering plate) went through, and hence an admiration for their stoic perseverance to survive in the face of insurmountable odds.

Ultimately however this film revolves around three people - Erling, Håkon and Brâthan (Kristoffer Joner) the sadistic head of Erling's section within Bastøy. That by the end of the film it is Erling and his fellow inmates with whom the viewer sides will come as no surprise. However it is the performances of the actors who bring these three disparate characters to life which is undoubtedly the most memorable aspect of the film. From the outstanding performance of newcomer Helstad as the damaged Erling to Skarsgård as the ineffectual and ultimately weak Håkon and Joner as his twisted subordinate, the relationship which plays out between these men will hold your attention until the film's final reel.

Shocking, moving and mesmeric in equal proportions, King of Devil's Island makes essential viewing if only as a warning against the extremities of human nature and man's cruelty against his fellow man.

Cleaver Patterson


★★★★


Rating:12
UK DVD/BD Release Date: 29th October 2012
Directed By: Marius Holst
Cast: Stellan Skarsgård, Benjamin Helstad,Kristoffer Joner, Trond Nilssen
Buy King of Devil's Island:DVD / Blu-ray

Brake DVD Review

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You can really appreciate a quality ironically by the number spin-offs or in this films case clones or films with similar scenarios. Rodrigo Cortes 2010 film Buried starring Ryan Reynolds is a highly underrated film which oddly enough hasn't seen any 'clone' films, just a few similar scenario films until now, Brake starring Stephen Dorff. So is Brake another Buried or simply a test of character for an actor for an actor who for many years puzzled us all why he hasn't excelled in bigger parts or is the film a test of how much claustrophobic you maybe?

What Appears to be an random kidnapping into something more sinister when Secret Service Agent Jeremy Reins (Dorff) discovers he's being used as a pawn in a terrorist plot. Watching the clock tick down to an unknown catastrophe. Jeremy is forced by his captors to listen to the outside world on the brink of collapse, knowing the the only way to save the people he loves is to divulge a secret that he has sworn to protect.

The first question you'll probably ask, is Brake a 'Buried clone'? The answer is yes but answer is also no. The basic set up is the same (enclosed captive who has no clue why he is there or who is responsible), but as the film progresses we gradually move away from Buried plot with the film going in it's own direction.The story is kept intense, engaging with a few twists thrown that make you think twice 'have I really sussed the plot?'. Things do work really well until the end things go pear shaped probably thanks to an eccentric flawed script which give the film the ridiculous 24 tv episode feel (though I am a fan of all things Jack Bauer).As the flaws happen right at the end of the film this could leave you in a forgiveable mood because of the timings or the total opposite frustrated and wondering why have I just wasted 80 minutes of my time watching this film! What's more confusing is at no time do we get a reason on why the film is called Brake?!

As for Stephen Dorff, in Brake he may not reach the same emotional levels Ryan Reynolds did in Buried however Dorff does deliver a really strong performance commanding the screen in a film that many other actor may have stumbled at. The film also proves he can hold a film on is own and he may have starred in a howlers as well as many one hit wonders like Sofia Copolla's Somewhere proves he does possess the acting chops to do bigger and better things.

Brake is an enjoyable tense thriller and if you can forgive the ending this film will be worthwhile your time which Buried and 24 fans will enjoy.

Paul Devine


★★★1/2


Rating:15
UK DVD/BD Release Date: 29th October 2012
Directed by:Gabe Torres
Cast: Stephen Dorff, Chyler Leigh, Jr Bourne, Tom Berenger, Kali Rocha, Pruitt Taylor Vince
Buy Brake:Blu Ray / DVD

The Ford Brothers The Dead 2 comes to live In India!

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28 October 2012

The Flaying New Trailer Suggests Secrets Should Stay Secret

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Die Nibelungen (Masters Of Cinema) Review

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Die Nibelungen came out in 1924 and was directed by the master of German Expressionism Fritz Lang. It’s really 2 long films put together which is turn comes around to 4 hours and 40 minutes. It was made in-between his first Dr. Mabuse film and his Magnum opus Metropolis. It in a way is a stepping-stone to what would become Metropolis and like that his later ex-wife Thea von Harbou co-wrote the film.

The film tells the epic saga of Siegfried of Norse Mythology. He is the son of King Siegmund of Xanten. He forges his own sword. He hears stories of the kingdom of Burgundy and Kriemhild the Princess. He announces when he leaves Xanten he wants to win her hand in marriage. The swordsmith Mime who’s shop he forged his sword, tells him of a shortcut to Burgundy but it reality it leads him to a dragon which he slays and baths in it’s blood but missed a shot so he gets a Achilles’ heal. He goes on numerous adventures on his way to Burgundy. There is a part 2 of the film but it would spoil the film too much.

The film isn’t one of Fritz Lang’s best films. It’s very baggy, it’s about 4 hour and 40 minutes and every scene is dragged out to excruciating levels as times. It is a film from the 20s so obviously the pacing is very different to modern films but there are 20 minutes scenes that should be half the length.  However film is basically an early mini-series, each segment and both films has a title card.  The plus sides of the film are the imagery is hallucinatory at times and utterly fantastical. The 1st half of the film is most visually arresting which ends brilliantly. The 2nd half has an astonishing climax though. The story is truly epic in scope, which can be expected when it comes from mythology.  It’s worth watching simply for the imagery.

Overall, It’s a good piece of early sword and sorcery cinema. It’s not gonna be for most people but if your interesting in Frit Lang and early cinema it’s worth seeing.

Ian Schultz

★★★★

Rating:PG
DVD/BD Re-Release Date: 29th October 2012 (UK)
Directed By: Fritz Lang
Cast: Paul Richter, Margarete Schön , Theodor Loos
Buy Die Nibelungen: BLU-RAY/ DVD

27 October 2012

Watch The Metaphoric Sci-Fi Short SEED

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This is why I love short films sometimes more than feature films as final result compared to some of the crap that's plagued our cinemas recently these films are a breath of fresh air. Some the ideas may not be 100% original but script wise, visually, structurally superior asks the question maybe some of those feature films maybe should be short films or simply should have stayed short film. We're a little disappointed we haven't covered short films as much as we should have this year but things are changing starting tonight with Tyson Wade Johnston's Seed. 

Seed is set in the year 2071, where technology has brought mankind to the brink of colonization on a planet named Gaia, one astronaut takes on an isolated mission and discovers unearthly horrors that could bring an end to human life on this planet. This is a tale of colonization gone wrong , a film that feels like a modern war film too, its a visual treat plenty of atmosphere most of all this looks a professionally polished CGI film worthy of  14 minutes of your time.

SEED (2012) Short Film from Tyson Wade Johnston on Vimeo.

source:Vimeo

26 October 2012

Ghost Stories Volume 5 DVD Review

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The fifth volume of the BBC’s Christmas ghost stories, released by the BFI next week, sees the combined issue of A View From a Hill and Number 13, the short-lived noughties reincarnation of that excellent strand of yuletide chillers, A Ghost Story for Christmas.

Stretching back to the 1971 offering, The Stalls of Barchester (but pre-empted by 1968’s superbly creepy Whistle and I’ll Come to You), the series was fixture of Christmas television through the decade before the wheels ultimately fell off and it was sadly canned. It was briefly resurrected in 2005 in the shape of A View From a Hill, with Number 13 following a year later, before history unfortunately repeated itself.

In the first of the spectral tales, A View From a Hill, archaeological academic Dr Fanshawe (Mark Letheren) visits the estate of formerly prosperous landowner Squire Richards (Pip Torrens) charged with cataloguing the oddities held within his impressive home. Among the curiosities is a pair of binoculars once belonging to a disreputable amateur archaeologist; a man whose extra-curricular, corpse-centric activities led to his untimely demise on the spot of an old execution site. Taking the binoculars to a nearby hill Fanshawe glimpses the ghostly image of an ancient local monastery, long since ruined; the disturbing apparition suggesting that the binoculars hold some ghastly power imparted by their late owner.

The adaptation of M. R. James’ Number 13 transposes the action from northern Denmark to a closely-knit, rural English setting, in which another academic (this one from Oxford and going by the name Anderson) finds himself in the employ of the local librarian. Anderson’s work revolves around some of the more macabre entries into the town’s archives, ones which reference civil war-era witch trails, and grim accounts of bizarre satanic rituals in nearby buildings. The Oxford man’s involvement in the case becomes more dangerous upon the realisation that his hotel room sits adjacent to a mysterious, occasionally perceptible and sinister room 13, a location with possible links bizarre goings-on.

The BBC’s Christmas ghost stories are uncanny in their ability to ramp-up colossal amounts of tension, and generate a tangible sense of dread in a little over half an hour, all with a miniscule budget. Luke Watson’s ability to suggest the presence of a malevolent woodland entity, stalking the forlorn yet determined Fanshawe in A View is absolutely Blair Witch-esque in its captivating, minimalist creepiness. Pier Wilkie opts to add a dash of visual horror to his tale in 13, in a largely successful move away from the simplicity of the previous story; the occasional moments in which the production’s lack of financial clout is visible are overshadowed by the charismatic and convincing performances of its cast. Paul Freeman is enjoyably devious as the untrustworthy librarian, Greg Wise thoroughly engaging as the uncertain professor who is dragged through the emotional and psychological wringer.

An exercise in economical horror, the DVD extras including essays by BFI Mediatheque Curator, Simon McCallum, author Jonathan Rigby (amongst others), and Christopher Lee’s 2000 reading of Number 13 contribute to a neat package. A fully fledged five-disc box set also available combines all of the BFI’s previous releases to remind you that not all TV is talent shows and Tyneside tantrums.

Chris Banks (@chris_in_2d) 

★★★1/2

Rating:12
DVD Release Date: 29th October 2012 (UK)
Directed By: Pier Wilkie, Luke Watson
Cast: Greg Wise, Paul Freeman, David Burke, Mark Letheren, Pip Torrens
Buy Ghost Stories Volume 5:DVD

Horror Channel brings winter chills

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Deep and crisp and bloody! Get ready to be frozen to the bone this November with Horror Channel’s Winter Chills Weekend – featuring some truly snow-filled spine tingling premieres.


Fri Nov 9 @ 22:55

The hills are alive – with undead Nazis as the season kicks off with the premiere of DEAD SNOW (2009), a beautifully nasty horror comedy directed by Tom Wirkola (Hansel &Gretel Witch Hunters). With a car full of ski equipment and enough beer to fuel their escape from everyday life, eight medical students head out on their vacation.  Isolated in the snowy hills the group begin to realise they came to the wrong resort, as deep in the hills lay an unthinkable evil. 


Sat Nov 10 @ 22.55


The season continues with BLOOD RUNS COLD (2011). Swedish director Sonny Laguna gives the slasher genre a welcome Scandinavian make-over. Record-producer Winona heads to her hometown on the outskirts of Stockholm for a break... Shortly after settling in, she invites a former boyfriend and a couple to the house. But there is an unknown presence stirring within the house, one that has been waiting for the right moment to strike.

 

 

Sun Nov 11 @ 22.55


Wrapping up the season is sci-fi horror thriller THE THAW (2009) Directed by Mark A Lewis, it stars Val Kilmer as Dr. Krupien the head of a team of ecology students, who are examining a melting ice cap in the Arctic.  When Krupien unearths a prehistoric specimen the likes of which has never been seen, he summons four of his brightest students to take part in the excavation. But the melting polar ice-cap has released a deadly pre-historic parasite…